Can You Tell Me How To Get, How To Get To Sesame Street?

The Count is about to count his way to a milestone.

Sesame Street is about 22 million views away from becoming the first nonprofit organization and the first U.S. children’s company to reach one billion views on YouTube, Geekosystem reported. At press time, the channel’s videos have 978,247,378 total views.Screen shot 2013-02-15 at 4.12.02 PM

Telly Monster has released a video clip imploring viewers to help reach one billion views. Once they reach their allotted amount they will release a “top secret video”. Let’s all do our part and help Sesame Street reach their goal! I know I’ve watched countless hours of Sesame Street as a child, and I’m totally curious about their “top secret video”. Aren’t you? Spread the word! can only support a totally non-coincidentally, well-named Sesame Street character.  It would be awesome to hear the Count say, “One billion views! Ah ah-ha”. Source

Sesame Street Takes Another Hit As Long Time Director Dies

Emily Squires, a long time Sesame Street writer and director has died, she was 71.

Squires directed Sesame Street and several Sesame Street TV specials between 1982 and 2007 while also working as a writer on the program.

She was also a script writer for soap operas, The Guiding Light, Search For Tomorrow and As The World Turns.

Squires is survived by her husband, Len Belzer, who interestingly stated Friday that the cause of death hasn’t been determined.

ELMO Creator In Trouble With The Law

Kevin Clash, the puppeteer responsible for Sesame Street’s Tickle Me Elmo has been accused of having sex with a 16-year-old boy. The folks on the street released the following statement…

Sesame Workshop’s Statement Regarding Kevin Clash

In June of this year, Sesame Workshop received a communication from a then 23 year old man who alleged that he had a relationship beginning when he was 16 years old with Kevin Clash, a Sesame Workshop puppeteer who performs as Elmo.

We took the allegation very seriously and took immediate action. We met with the accuser twice and had repeated communications with him. We met with Kevin, who denied the accusation. We also conducted a thorough investigation and found the allegation of underage conduct to be unsubstantiated. Although this was a personal relationship unrelated to the workplace, our investigation did reveal that Kevin exercised poor judgment and violated company policy regarding internet usage and he was disciplined.

Kevin insists that the allegation of underage conduct is false and defamatory and he is taking actions to protect his reputation. We have granted him a leave of absence to do so.

Elmo is bigger than any one person and will continue to be an integral part of Sesame Street to engage, educate and inspire children around the world, as it has for 40 years.

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Katy Perry Sesame Street Video Deleted From Youtube

It was clear from the beginning, Katy Perry was not dressed appropriately in her Sesame Street segment. The folks on Sesame Street received so much heat over the boob filled extravaganza featuring Elmo, that they yanked the video off Youtube and canceled it from airing on the Sesame Street 41st season broadcast.

In the following statement issued by reps at Sesame Street they try to justify the “Too hot for Tots” video by saying they produce on two levels, for the child and the adult. The Perry segment was axed from airing on broadcast TV but the statement goes on to say the video would still be available on Youtube, however, they must have changed their minds because the video was deleted from Youtube as well.

Statement: “Sesame Street has a long history of working with celebrities across all genres, including athletes, actors, musicians and artists. Sesame Street has always been written on two levels, for the child and adult. We use parodies and celebrity segments to interest adults in the show because we know that a child learns best when co-viewing with a parent or care-giver. We also value our viewer’s opinions and particularly those of parents. In light of the feedback we’ve received on the Katy Perry music video which was released on You Tube only, we have decided we will not air the segment on the television broadcast of Sesame Street, which is aimed at preschoolers. Katy Perry fans will still be able to view the video on You Tube.”

Video & Pics: Megan Fox as a ‘Doll’ Complaining About Fame in July’s Interview Magazine

Sorry guys, I’m just getting really turned off lately by girls like Lady Gaga and Megan Fox. They are just acting like silly-slutty puppets.

Megan Fox is currently ‘trying’ to clean up her big mess in the media. Her interview for Allure Magazine last month was rather disgusting and it was the switch that turned me OFF with Megan. Now, she has come back since being fired from Transformers 3, as a sex kitten-mannequin-doll, and she’s complaining about being famous again!

Although she is in control of her twin/doll/clone in this new Interview Magazine photo shoot, it made me realize that someone else should be in control of her and her dumbass twin all together! Just play the quiet doll Megan! Then you may have a career if you don’t blast people like Michael Bay anymore. I have seen this doll themed photo shoot over and over and over too many times!!! Stop complaining about being famous Megan!

Here is what Megan had to say in the interview by actor Zach Galifianakis (you know the guy in “The Hangover” with the beard!):



GALIFIANAKIS: This is Zach . . . um, Galifianakis.

FOX: How are you?

GALIFIANAKIS: I’m splendid. How are you?

FOX: I’m great.

GALIFIANAKIS: So before we begin, I wanted to thank you for allowing me to interview you.

FOX: I mean, it’s probably going to be awkward.

GALIFIANAKIS: Well, no. It definitely will be. My forte is awkwardness. But I don’t want it to be purposely awkward. Let’s make it organically awkward. You know, because we’ve never met before. So maybe we’ll—I’m already talking too much. . . . Maybe it will be nice and smooth.

FOX: I think it’s possible.

GALIFIANAKIS: Let’s start out with something simple. Where are you? Are you at your house in L.A.?

FOX: No. I was at my house, but we had to go pick up Brian’s son from school. Now I’m on my cell phone. It’s AT&T, so hopefully I won’t drop you. But there’s a good chance that will happen.

GALIFIANAKIS: I’m at a sidewalk café in New York. I’m trying to get recognized.

FOX: I find that it’s easier to disguise yourself when you go to Florida or places like that, because no one is expecting to see a celebrity there. When you throw on a hat and glasses, no one really looks at you twice—because why would you be in Florida? People just assume that if you’re famous, you’re in Hollywood. But in places like New York and L.A., they know that you live there and that you’re trying to disguise yourself, so people are always looking. It’s almost better to not wear a hat and glasses. I’ve actually stopped tinting my windows because the paparazzi look for trucks and cars with supertinted windows. In New York, especially, so much of your life is spent on the streets. You don’t always want to be driving around in an SUV with a security guard. You want to be able to walk to a restaurant; you want to go and do things.

GALIFIANAKIS: I’ve been here for four hours. No one has recognized me, which is a real bummer.

FOX: [laughs] Yeah.

GALIFIANAKIS: When you walk the red carpet and you see all of these paparazzi animals taking your picture, what do you think? Do you think, “I’m just a tool for the Hollywood system. I’m just here so an executive can buy another Bentley”? Are we just puppets?

FOX: I don’t really resent being on the red carpet as much as I do having to deal with the paparazzi. That actually makes me angry. The photographers on the red carpet—that’s their job. They’re usually pretty respectful, so I don’t mind. I mean, I’m not pretentious enough to just sit around and think about how I’m a tool for the whole Hollywood machine. But it has crossed my mind.

GALIFIANAKIS: If I were you, I wouldn’t eat a banana in public because of what they might say in a caption.

FOX: Yes, there is that. Every time I leave the house or we go anywhere, there is that paranoia. We always have to watch for specific cars and specific signs that we’re being photographed. The other day, I was having a private conversation on my phone, and I had to step out of my car to go into a Rite Aid. And there were like six photographers in the bushes photographing me the whole time. It’s weird. It is overwhelming. At times it’s jarring. You never know when someone is videotaping you or trying to capture your image. I see how it makes some people crazy. It’s a strange thing. But I am really lucky. I don’t understand it. I don’t know how any of this has happened. I mean, I don’t sit around and say, “Gosh, I have to do this movie with this person.” I really, honestly, am much more focused on my personal life. I’d really like to have a family at some point. Not that I’m not focused on my career—of course I am. But I’m just at that place where I want to spend some time at home and on my family. And if a great project comes my way, then of course I’ll take it. But I’m not actively out seeking something specific.

GALIFIANAKIS: [outside again, wind noise] The wind is blowing very hard in New York right now, so I’ve got to try to duck into a place where it’s not so windy. So tell me, does it drive you crazy when people ask you that question?

FOX: What question?

GALIFIANAKIS: The question about this machine that you are a part of that forces you to go out and answer other ridiculous questions?

FOX: Yeah, sometimes. I know you can’t really put actors or celebrities into two categories, but I’m going to right now: There are the people who really, really enjoy being celebrities, and then there are the people who came by it maybe by accident. I’m one of those people who fiercely guards their privacy, so I hate doing interviews. Because just in terms of the experience I’ve had with the media so far, almost everything I say, no matter how innocent my intentions are, seems to get sort of manipulated and sensationalized and turned into some ridiculous news story.

GALIFIANAKIS: But that’s for people, selfishly, to sell their magazines and their products. People don’t know that, for example, you could be doing an interview about candles, and you could say, “I like it when something is waxy and hot.” But then that gets taken out of context.

FOX: It just happens so much that I don’t want to open my mouth or speak anymore, because everything I say becomes scandalous. It wears you out. So I’m a bit jaded. I don’t read my own press, so I don’t know what’s being reported on a daily basis—I only hear about things when they reach a sort of Def-Con status and my publicist calls me because we have to do some damage control. But I do feel like, if anything, I’ve sort of made it worse. In the past I’ve been reluctant to share any bits of truth about myself or to really let people in on my reality, so I have said some things to throw people off the scent of what’s really going on in my life. So I have sort of aided the media in printing these misconceptions, which I regret. I’ve just come to the realization at this point that if I don’t feel like sharing, then I’m just not going to share. But I’m not going to go out of my way to mislead people or keep them at a distance, because that doesn’t really get me anywhere either.

GALIFIANAKIS: It’s American society. American society loves to prop people up and then take them down.

FOX: I agree with you. That’s why I’ve always at least tried to be self-deprecating when I say anything about myself. As long as you set the bar low, it will keep people from putting you on a pedestal, so they can’t knock you off. That’s been my plan all along, but it slipped away from me—because once you let the words go, you have no control over how they’re printed or what the media does with them. So there’s no point in trying to make plans or to control it. When we were making the first Transformers—because it’s a movie about robots that’s based on a cartoon—I don’t think any of us realized that it would have the audience that it had. I just don’t think any of us expected it to be this huge. The second one had one of the biggest openings of all time, which is crazy. I didn’t ever anticipate being part of a blockbuster franchise, let alone one that’s made the kind of money that those movies made.

GALIFIANAKIS: So what’s your favorite color?

FOX: Green. What’s yours?

GALIFIANAKIS: Specifically, it’s olive green.

FOX: That’s really specific.

GALIFIANAKIS: Well, this isn’t how I chose my favorite color, but I read somewhere that smart people tend toward green. So that’s good for both of us. Do you color anything green because you like it? Are your walls painted green? Is your car green? And I don’t mean “eco” green—the color green.

FOX: No. I don’t have any green walls or cars or furniture at the moment. But if I’m going to draw a picture, I will usually go for the green crayon or colored pencil or marker.

GALIFIANAKIS: I have a green 1998 Subaru.

FOX: My dad drives a Subaru. I think it might be a Forester.

GALIFIANAKIS: The Forester is a very good car. It gets good gas mileage. Good for your dad. Now we’re getting somewhere. Just out of curiosity, what kind of toothpaste do you use?

FOX: I guess it kind of depends on where I last went grocery shopping. Crest Vivid White is a good toothpaste. But I also use Tom’s of Maine.

GALIFIANAKIS: Tom’s of Maine is what I use. I also use their condoms.

FOX: [Laughs] Are they eco-friendly?

GALIFIANAKIS: I just imagine these old grandma and grandpa people in Maine making condoms. “These are made out of rubber trees. . . .” [Fox laughs] Speaking of which, what is the tenderest moment you’ve ever had with one of your grandparents?

FOX: Most of my grandparents died when I was really young.

GALIFIANAKIS: Oh, I’m sorry.

FOX: No, it’s okay. I don’t know how tender this is, but my mother’s mother always favored me for some reason—out of all her grandchildren. When I was really young, maybe 2 or 3, I used to always ask her to get down on the floor and play My Little Pony or whatever I was into at the time, and as an excuse she would tell me that she had a bone in her knee. It took me another three years to figure out that we all have bones in our knees. So I eventually called her out on it, and I remember her being genuinely amused with me. That was Nanny, my mom’s mom. . . . [traffic noise] You sound like you’re in the middle of a hurricane.

GALIFIANAKIS: I left the café, and now I’m in a vacuum-cleaner shop. Is that inconvenient? No, I’m running across the street right now. I don’t know what street I’m on, but I’m ducking into a bar called Paddy Maguire’s Ale House. . . . [bar noise] Now I’m inside, but I’m out of breath. . . . [to bartender] Can I order a beer? [bar noise] Actually, now I’m moving to another place because in that last place there were a lot of old people who smelled bad. . . . [street noise] Now I’m at another outdoor café. Hold on one second—[to server] Hello, how are you? [noise] Do you have a draft of some sort? [server’s voice: “Guinness, Stella, Harp . . .”] Harp will work. Thank you. [to Fox] Sorry. I needed to order a beer. So what’s your idea of the perfect meal?

FOX: This is a good question, because there are a couple of different types of food I eat a lot. I was raised in the South, in Tennessee, so I’m going to go with comfort food, soul food. I would probably start with collard greens and candied baby carrots and then have some biscuits and white gravy—and for dessert, probably blackberry cobbler. Having been in a relationship since I was 18, I’m very domestic, but I don’t enjoy cooking for myself. I don’t mind cooking for other people—and I like doing it for Brian and his friends. But I don’t like cleaning or washing dishes, although I don’t mind doing laundry.

GALIFIANAKIS: As a cook, what’s your specialty?

FOX: I’m not a great cook, so I pretty much stick to the basics. I can do a pretty good chocolate-chip pancake. I can do a decent smoothie because when I was 15, I worked in a smoothie shop. . . .
At the age of 24, Fox has already appeared in two blockbuster movies—Michael Bay’s CGI-robot juggernaut Transformers (2007), and its sequel, Transformers: Revenge of the Fallen—which, combined, have grossed more than $1.5billion worldwide. Over the last few years, she has also done a series of other non-Transformers films, including How to Lose Friends and Alienate People (2008), and the campyDiablo Cody–written thriller Jennifer’s Body—the bulk of which have quickly wilted at the box office. But Fox’s penchant for offering up certain intimate-seeming details of her life in interviews—such as the same-sex romance that she once claimed to have had with a stripper named Nikita, or the location of her boyfriend Brian Austin Green’s name on her body she had tattooed (it’s in her lower swimsuit area)—has provided an entertaining sideshow.

She’s also good about unprompted name-checks (“If I could just be Angelina [Jolie]’s girlfriend, I would be so happy.” “I want to eat Robert Pattinson.” “Olivia Wilde is so sexy she makes me want to strangle a mountain ox with my bare hands.”)

For years, the great revelatory insights about the way pop culture works were that celebrity is about image and that we like to build people up in order to bring them down. But for an actress like Fox, who came of age in the era of reality TV, social media, and second-to-second news cycles, these aspects of celebrity mythmaking (and breaking) are almost elementary. Fox herself has acknowledged as much, offering that some of the more outrageous things she has said in interviews were purely for effect, because—as an aforementioned a young actress in

Hollywood who has had conferred upon her sudden, massive fame—she knows that she is playing a role, that we live in a culture evermore about images, sound bites,
and archetypes, and she has decided that she needs to manipulate the system in order to avoid being consumed by it. It’s somewhat cynical, yes, and true that she is self-invented (as most famous people are), but in Fox’s case, the persona she has created and the way she has seemed to process her own fame hints at an underlying element of self-preservation at work. Fox says outrageous things. She takes sexy pictures. She looks good on film. But she doesn’t try to pull at your heartstrings by pretending to bare her soul. She doesn’t attempt to demystify herself through overexplanation. She doesn’t try to really prove anything to you. She just gives you what she thinks you want and keeps the important stuff for herself.

Fox’s next two films—Jonah Hex, with Josh Brolin, Michael Fassbender, and John Malkovich, and Passion Play, with Mickey Rourke and Bill Murray—are both departures, the former a sci-fi comic-book Western about a horrifically scarred cowboy with a spiritual hole in his heart, the latter a magical-realist drama in which Fox’s character sprouts wings at puberty and is drafted into a traveling circus. “I want to do different things,” said Fox, calling one early-May afternoon from Los Angeles, where she was busy preparing to film the third installment of Transformers. “I mean, Transformers is enormous, but it’s exhausting because it’s just this huge, huge machine,” she continued. “The studio, the director—everyone has so much power in this project that the actors are sort of very small in the midst of this very large movie.” Days later, it was announced that Fox would no longer be a part of Transformers 3. In a statement, she said that it was her decision, though some reports cited her rumored frosty relationship with Bay as the primary reason for her exit. (In an interview last year, she described Bay as a “tyrant” and, for typical Foxian effect, likened his on-set workaday methods to those of Napoleon and Hitler.)

Now, as the door closes on Transformers, Fox is imagining a very different kind of career—and life—beyond it. To ensure we provided her with an ample foil, we recruited comedian Zach Galifianakis to interview her for this story—and he boldly went where few men have gone before.

One final note: At the end of the photo shoot that accompanies this interview, which took place at the Chateau Marmont in L.A., Fox asked if she could keep the head of the mannequin seen in the story, which was made to look exactly like her, as a souvenir. When the concern was raised that the paparazzi perched outside the hotel might get a picture of her leaving, ostensibly, carrying her own head, Fox didn’t blanch. She didn’t stop and worry about what the tabloids might do with such an image, what people might say. I mean, what would the caption be? She didn’t wring her hands or furrow her brow. She just threw her head in a shopping bag and went on her way.

Sesame Street’s The Count Makes a Comeback!

Count Von Count on Google!

Count Von Count on Google!

We are really pleased here at to see that has decided to feature Sesame Street’s “Count Von Count” today on their site!!!

Count Von Count has been low-key for the last ten years, and it looks as if he is back in the spotlight! We’re not sure if he was too controversial being a vampire on a kids show, or if he just got tired of all the glitz n’ glam of the celeb lifestyle. Sesame Street started doing all their Muppet photo ops during the day, and obviously Count Von Count just couldn’t risk the sunlight. Maybe Sesame Street and Count Von Count made a deal for nighttime shoots FINALLY!? Whatever happened we are just pleased to see Count Von Count making a hot comeback gracing the cover of !!!

Happy 40th Anniversary to Sesame Street and thanks for finally getting Count involved again! Vampires are so hot right now!  Good move.
Love you Count Von Count!!!


Sesame Street Is Going Down The Manhole

When Sesame Street is laying off 20% of its workforce, you know we are in a lot of trouble.

I didn’t know Sesame Street was still on… but that’s besides the point!

The sad thing is now all of these characters are going to join a gang… beat up old people… and pee on the sidewalk… and eat too many cheetos.